About me

I'm a UK-based Sound Designer with over six years of professional experience working across AAA, AA and live-service games, with credits including Fortnite, Silent Hill 2, Cuphead and The Ascent.

My work spans the game-audio pipeline, from field recording, Foley and original sound creation through to implementation, in-engine iteration and final delivery. I've worked across everything from creatures, characters and combat to interactive gameplay systems and atmospheric environments.

I'm particularly passionate about creating distinctive sounds that bring characters and worlds to life, combining creative sound design with a strong understanding of the technical demands of game development.

My background in music production and performance also informs my approach to sound design, particularly when it comes to timing, dynamics, tone and storytelling.